Ján H. Blicha

The main topic of this exhibition was creations of my grandfather, architect Ján H. Blicha. He lived in Trenčín and he work there from 1966 to 1999. He makes lot of urban conceptions, architectural realizations, sculptures, interiors, and he also do graphic design. 

Main idea of my exhibition's conception is in re-installation. There is grid system, which can be re-builded to whatever space. Each of those prints can be packet to the tubes, and can be moved to another gallery. The same tubes are used on installation and you can see year, then the work was created. This exhibition was my own project, so I was curator, designer, architect, propagator... But there are many people who helped me a lot, and I want to thanks them: Pavel Choma, Marcel Benčík, Juraj Blaško, Juraj Rattaj, Boris Meluš, Tatiana Blichová, Adriana Mlynčeková, Miroslav Mlynček, Eva Slezáková, Silvia Bacmaňáková, Lenka Navrátilová, Michaela Mrázková, Gabriela Rusková. 

IKONY /2016

IKONY is a documentary set of movies about generation of architects who were destined to create the most productive period of their life in the restricted conditions of regime. Today they are often out of the public recognition. The movie is not just a portrait of the architect, but raises the question of the perception of Slovak architecture. Produced by Archtung & Filmaari , backstage pic by Lousy Auber, visual identity by Lucia Mlynčeková, identity font: Kontrast Grotesk by Jan Filípek (http://www.dizajndesign.sk/), cooperation: Juraj Blaško 

http://ikony.archtung.sk/
https://www.facebook.com/ikonytv/?fref=ts

History of exhibition design in Slovakia 1918 - 2016

thesis, theoretical part

DIZAJN KIOSK /2015

DIZAJN KIOSK je projekt študentov a absolventov Katedry Vizuálnej komunikácie Vysokej školy výtvarných umení v Bratislave. Sme grafickí designéri (GRD), ktorí chcú vzdelávať, komunikovať a približovať úžitok grafického designu širšej verejnosti.

autori projektu: Anna Ulahelová, Juraj Kočár, Lenka Navrátilová, Vojto Ruman, Maté Maczicza, Lucia Blanáriková, Lucia Mlynčeková, Michaela Mrázková, Gabriel Sebo, Marek Mati

petra kubíková /2015

Visual identity for fashion designer Petra Kubíková.

http://www.ustream.tv/recorded/53519115

https://www.facebook.com/petrakubikovafashion

Cooperation with Petra on collection "hidden reality", I designed the glasses and portfolio, and of course the identity of the collection.

Lucia Kováčiková /2014

http://www.luciakovacikova.sk/sk/
https://www.facebook.com/LK.minilab/?fref=ts

uptn.sk /2014

http://g-base.com/mapbox/UPTN/UPTN.html

new flexible readible urbanised plan of Trenčín

The object of project is to create new, readible and simpler map of Trenčín to make beter communication between urbanists and citizens.

Very important part of the work was definition of problem. It's the problem of communication between urbanists of city and people whoes need to read this urban map and it's really hard readible for them. It is necessary to tell that actual official urbanised plan begun to be relevancy at the end of the year 2012 and is necesary to tell that urbanists which was working on this plan are opened for this idea.
In the first part project is analyzing actual official urbanised plan, which is accesible for any people in web page of Trenčín. Important are that informations, which can show problematics of urbanism to people which are not educated in this part of architecture. In this part of work was more that important to cooperate with specialist. In this case was Ing. Arch. Adriana Mlynčeková the best choise, because of she is workning in Trenčín as an urbanist now and she also was working as an main urbanist.
Second part was about finding best functionality and the formal part of map. The map is working with intuition and scale of city. Plan is composed from 5 maps. Each of that map is in other scale, form 1:5000 to 1:100 000 and each of those maps show us another way how to look on Trenčín. The map is getting us wiew how to look on problematicks of urbanism.
The last part is formal problem. The map is drawing very strict, it means we can see only straight lines in 0n 45 or 90° angle. This can seems drastic but during process of drawing it seems to be good choice. Is easy to work with this type of mapping. It is sometimes hard to read informations like this from geographical map, so because of that this type of drawing is more than right choise at the expense of some small problems.